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Dancing Beyond Experiment

My study is to dance beyond what i know by preparing for the surprises in the movement of my physical body, my intention, emotion, and sensation. I work with energy as the basis for building signal networks in all these forms of movement.

I do this by working directly with the shift of focus between making specific connections to build signal networks and a focus on all energy connections happening at once.

Concentrating on the brain body ability to make distinctions between two connections, I concentrate on finding the simplest connections and vary the connections in one way to find new connections.

Dance is the perfect model for me to follow this process of simplicity growing into complexity by adding variation.

The principles of dance are directed toward this study of focus. The binary approach takes two realms of study and compares them. I am specifically interested in the variations between more and less force, circular and spiraled movement, extension and elevation of movement, directed action and imagery for moving energy.

My study is centered around my weaknesses of trying to force my movement and direct every action and my resistance to patterned and structured movement that seems to emphasize those weaknesses.

My process is derived from Ballet and Modern Dance and informed by study of many forms of technique, therapy, and improvisational dance.

Every day I set out with the goal to renew connections of energy and to discover new connections.

I lay on the floor and I stand. I move my entire body with each movement establishing support networks to move in every direction, with different levels of speed, intensity, and dynamic quality.

I use simple movements initiating from spine signals that go outward and inward.
i vary the directions of signals to go in the same and opposite directions.
I vary the movements from vertical with the spine to horizontal crossing the spine.

I establish a central image of spreading and elevating by following the action of my diaphragm expanding for inhaling and rising for the exhale. Then I transfer this image by pairing the breathing diaphragm with other diaphragms and platforms throughout my body.

I use spiral imagery of the double helix to enhance changing focus within continual movement and intimate relationships between different networks.

I check myself to make sure movement is a process of entering delight. If I am struggling and feeling strain, I simplify the connections and experiment with changes in the size and speed of my movements.
Tim Hurst 03/23/18