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The Dancer’s Imprint

I have often wondered why the dancer has been satisfied to create intense experiences that are not recorded well even in photos and film.

My experience of dancers and their choreography is of their imprint as individuals and as groups. The imprint they create is every aspect of their experience as a person.

That imprint can not be reproduced mechanically. Their imprint is created within and in connection with fellow dancers, dance students, and audiences.

In neurobiology, this imprint is referred to as the mirror neuron. The mirror neuron not only records the experience of the dancer but also creates its own version of a sound from music or a movement from watching dance. This all sounds mysterious but it is a process that we respond to and recognize easily.

What the dancer is doing is sharing an imprint of their experience through their creation of dances. That imprint is replicated in many different ways in the fellow dancers, their dance students, their families and friends, and each audience that chooses to share that imprint.

This is of course only the beginning. Each person that experiences a dancer’s imprint reflects their own perspective by building on their excitement with slight variations. These different perspectives and moment by moment growth of delight and intensity are what we see as audiences.

Then as audience we amplify the delight, the anticipation, the excitement of the imprints we are witnessing. We are taking the dancers’ imprints and making our own which can explode into laughter or sighs or sometimes personal distress.

At the end of the performance, no person present is the same. Imprints have been created and recreated, shaped and reshaped. Each person’s experience has been expanded or compressed in some way.

This experience after a performance is often more than we can manage. Sometimes I do not know what to say or what to think about this new person I have become and my witness of new creations emerging before my eyes. What has just happened?

This is not the same thing that happens when watching a mechanical representation in media. In a live performance, I can access the real energy and the varying pathways taken by each dancer’s of their experience.

Basically, that performance with that group of dancers and that audience is a unique experience that will never happen in the same way again.
Tim Hurst. 02/06/18