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Dancer Cares for Energy

I Dance every cell of me
Every cell of me has its own group
Every cell group follows a pathway through me

Every pathway has a purpose within me
Every purpose follows my journey to form and reform all of me

My cell groups are simple
Some gather Energy
Some store Energy
Some launch and dock Energy
Some track and respond to disruption of Energy
Some honor and absorb Energy

I Dance to care for Energy.
Care shapes and reshapes my pathways for Energy
Care is a full spectrum of curiosity
from smallest to largest and shortest to longest
Care embraces all cell groups as a part of my journey
Care invites all cell groups to become one Image
Care grows one Image into many families of Images
I Dance to care for Energy.

Grasping the concept of caring for Energy within Cell groups can be seen visibly as waves in the sea.

Waves spread across an expanse and gather Energy
Waves gather Energy as they lower and as they rise
Waves shape Energy as ripples, as choppy peaks, as lapping and curling masses
Waves roar and whimper as they meet other Energy from the air and the earth.

I Dance as a wave of the sea
I spread Energy across the expanse of me
I gather Energy as I lower and as I rise
I shape Energy inside me and around me
I merge with other waves as we shape our journeys
I roar and I whimper as I meet all other Energy of air and person and earth.

I Dance to Care for
Energy within me,
Energy from me
Energy I meet
Energy I merge
Energy I absorb.

I Dance to Care for
the shaping of me
the joining of me
the growing of me in all my meetings.
Tim Hurst 01/28/19 6:44 am

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My Dance My Moves

Every year Ginger and I dance at a party for a Dance Retailers gathering. And every year I get the same comments. “I love all your moves.” “You have got the moves.” “I love watching you and Ginger dance because you make it all look so easy.”

What are all these people seeing? It is not expertise because we are improvising and mixing every possible sequence we have ever experienced from many forms of dance. And it is not perfection of any style that would be called good.

My favorite response to our dancing is when we are the first couple on the dance floor. Finally we have the courage to do that…sometimes. Another couple look at each other and one spouse says, “We can do that.” There are immediately three couples on the floor.

So what are they seeing in us? First we are just ourselves and we are letting that be seen. Second, we have spent lots of time learning to love every movement we make. Being satisfied no matter how subtle or bold goes a long way to growing our movement. Third, we have learned not to force as we extend ourselves and how to reveal our soft side in the transitions. And fourth, we know dance as moving in a full circle from center outwards and in every direction. In other words, every movement is a discovery of a fresh new angle or quality that we may never have experienced before.

All of our perspective adds up to be forming and re-forming all of our movements and emotions and hopes with every dance sequence. The Energy we share is our awareness. The including of other people is the same awareness.
Tim Hurst 01/23/19

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My Dance Learning

I have limited my dancing in public because I needed to learn to love every move as something I own. I needed to delight in every exploration and every surprise as a gift without thinking about what it looked like to other people. I also wanted to dance with Ginger as a gentle interchange of energy that could delight us both.

I am the perfect person to take this on because my body seemed to need constant direction and lots of force to complete any sequence of movements. Learning was not me encouraging myself but me forcing myself to move.

Add to this that I had very little pattern memory and had to basically relearn a movement each time I did it. I luckily discovered what Ballet and Modern teachers call “sending Energy” and every movement became a series of sensations that I could follow as long as the Image stayed with me. When the Image would fade away, I had to improvise long enough for the Image to return.

So I took on the challenge of finding a way to love every movement I made and a way to remember sequences.
Tim Hurst 01/23/19

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Suspension Dances

Dance instantly invites so many moments of entry into suspension.

Suspension is like a precipise between effort and ease, between a task and a day dream.

Entering the dance of suspension, I experience the dance imagery of floating and circular space around me. Even my feet know suspension. With each step the under arch and the top instep find mid-air a delightful place to find themselves.

Dancers exercise their bodies and their imagery to free the legs from the torso. A key image is energy that moves up the torso through every cell and every muscle group. Then the entire body becomes a network to enter suspension.

I experience suspension as a wave that extends energy to the top and then gathers energy on the curve over and downwards. Taking that image into every part of my body, suspension is movement at its richest point.

The image in music is the sound transitions between a suspenseful chord and a clear resolution or a preparatory moment just before a repetition of a melody.

This moment of anticipation is called a “creative pause” in the dances of Barbara Mettler, an early innovator in Modern Dance. The Ballet teacher calls out “And one, And two.” The “And” suspends this moment just before the down beat and just before initiating a movement phrase. Street Dance has a bright spark, maybe even a slight smile just before the smallest or the the grandest flight into the air.

And it is these entry moments that bring me the most delight. In fact, the moment I enter a dance, I smile knowing that the delight will meet me with more connections than I can grasp and more satisfaction than I could ever expect.

Dance Tools I aspire to understand: the sensation of riding the suspension in time, in space, in thought, and in emotion while accepting all the delight I can handle.
Tim Hurst 06/23/18