Dance instantly invites so many moments of entry into suspension.
Suspension is like a precipise between effort and ease, between a task and a day dream.
Entering the dance of suspension, I experience the dance imagery of floating and circular space around me. Even my feet know suspension. With each step the under arch and the top instep find mid-air a delightful place to find themselves.
Dancers exercise their bodies and their imagery to free the legs from the torso. A key image is energy that moves up the torso through every cell and every muscle group. Then the entire body becomes a network to enter suspension.
I experience suspension as a wave that extends energy to the top and then gathers energy on the curve over and downwards. Taking that image into every part of my body, suspension is movement at its richest point.
The image in music is the sound transitions between a suspenseful chord and a clear resolution or a preparatory moment just before a repetition of a melody.
This moment of anticipation is called a “creative pause” in the dances of Barbara Mettler, an early innovator in Modern Dance. The Ballet teacher calls out “And one, And two.” The “And” suspends this moment just before the down beat and just before initiating a movement phrase. Street Dance has a bright spark, maybe even a slight smile just before the smallest or the the grandest flight into the air.
And it is these entry moments that bring me the most delight. In fact, the moment I enter a dance, I smile knowing that the delight will meet me with more connections than I can grasp and more satisfaction than I could ever expect.
Dance Tools I aspire to understand: the sensation of riding the suspension in time, in space, in thought, and in emotion while accepting all the delight I can handle.
Tim Hurst 06/23/18